Why we choose Black and White

Black and white should be made

only to improve the final image

The quote above was taken from a professional (mostly color) landscape photographer on YouTube giving advice on mistakes to avoid in BW landscape photography. Most of his advice centered around this concept, that BW conversions are only worthwhile when they increase the objective “value” of the original image. Meaning the BW version should always look better than the color one, otherwise never convert to BW.

The idea that a conversion to BW is only warranted if it is objectively greater than the color version seems foreign to me as a mostly BW photographer of some thirty years now. In that entire time I don’t recall every thinking before making a new image, “is this going to be better than the color version?”. This seems like a pretty cynical view of photography overall, one that assumes an inherent value for every photograph that gets weighed against every other photograph. And one where BW and color are at odds with one another in terms of artistic expression.

Photography is not a quantitative art, it’s a qualitative one. We compose and process images for some subjective feeling or narrative we want to share. We choose BW because it suits our way of seeing, or our way of showing with images. Not because it maximizes or improves the scene over color somehow. A good BW image and good color image can come from the same subjects, the same scenes. I choose BW over color because I want the viewer to see something different from what color shows or obscures, not something ‘better’.

Black and white should never be a last resort to poor conditions for color photography. Nor should it be applied only because there is some expectation that a BW conversion will increase the inherent ‘value’ of a color image, as if both are on display simultaneously in the viewers mind with them making a singular judgement call, “this would have been better in color, or this in BW”.

Good BW and good color images are not mutually exclusive outcomes, for a given scene, they are fundamentally different ways of seeing the world and they convey completely different emotions and narratives, not better or worse ones. It’s a trap to only ever think of BW as conversions from color. Instead set both your mind and your camera to a BW preview mode and think only about what you see in the image as it is, and not in comparison to anything else.

I guess it’s true to say a lot of BW photography comes from scenes that would have made less interesting color images, mine certainly does. But that’s not really why they were made as BWs. We felt something that only BW could best convey. Something about light and shadow, or texture and shape. Something about mood or maybe focus. Whatever the reason, it should never have been that we thought ‘this is an amazing image, I bet a BW conversion would really push it over the top!’.

As you look at the image pairs I’ve included with this post, you will almost certainly pick one over the other as your preference. And that’s fine, we all have our own biases and tastes and contexts we bring to bear. I have my preferences as well. The point to keep in mind from the photographer’s point of view, is I didn’t make one to be an improvement over the other, I made each for different reasons, for their own aesthetic. And I hope when you take BW or color images you’re doing the same.

One thought on “Why we choose Black and White

  1. Lovely series of shots to illustrate your point. I think of colour as information. Sometimes it’s warranted or needed, sometimes it’s not. Often some things are best left to the imagination.

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